Some people believe the life of a musician is nomadic, traveling the world and playing in all kinds of venues. However, James Berkenstock, BMus鈥�64, who graduated with a music degree from Peabody College in 1964, is one who took root.
At the end of June, he retired after 50 years playing bassoon with the Lyric Opera of Chicago鈥�48 of those years as principal bassoonist.
鈥淚t鈥檚 thrilling to be part of such a big, wonderful operation like the Lyric Opera,鈥� Berkenstock says. 鈥淥ver the years I鈥檝e played with virtually all the big stars of the operatic world. Pavarotti sang with us many times, as has Pl谩cido Domingo and Ren茅e Fleming.鈥�
He loves the repertoire, too, especially the Mozart operas. 鈥淭hey鈥檙e such works of genius, and they have wonderful bassoon parts,鈥� he says. 鈥淭here鈥檚 almost nothing I don鈥檛 like to play鈥攖he Italian repertoire and Wagner. I鈥檝e played the entire Ring Cycle [of four operas] in three different seasons over my years at Lyric, which amounts to about 400 hours of Wagner!鈥�
Berkenstock, who moved to Nashville as a junior in high school, was first a saxophone player, becoming familiar with Peabody as he played in solo and ensemble contests on campus. In high school he headed his own dance band, which included Frank Kirchner, BME鈥�67, MA鈥�70, retired adjunct associate professor of saxophone.
He chose to study at Peabody because 鈥淚 knew I would have to go a long way to find something better than what was right under my nose,鈥� he says. He studied saxophone with Don Cassel, MA鈥�53, who also taught at the Blair School of Music, and with Stephen Sefsik, BMus鈥�58, MMus鈥�59, one of the original members of the Blair Woodwind Quintet.
It was while pursuing his master鈥檚 degree at Northwestern University that Berkenstock switched to the bassoon, which he had studied since eighth grade.
鈥淭he bassoon is a mainstay of the orchestra,鈥� he says. 鈥淭here are few parts for saxophone, and I played them as an extra in the Nashville Symphony when I was there.鈥�
In retirement, Berkenstock, who also is an emeritus professor at Northern Illinois University, is busy with the Midsummer鈥檚 Music Festival in Door County, Wisconsin. He serves as artistic director of the festival, which he co-founded in 1991 with his wife, Jean, former principal flutist with the Lyric. There they bring chamber music, a focus of his music history research, to art galleries, churches, private homes and other intimate settings in an effort to educate audiences about the wide variety of the chamber repertoire. This year they also have their first composer-in-residence, Jacob Beranek, a recent high school graduate who joined the Blair School of Music student body this fall to study composition.
鈥淚 want to stretch him,鈥� Berkenstock says. 鈥淚 want to give him an opportunity to expand and grow and see what he really can do.鈥�